What a difference 10 years makes! Today, we continue our look at evening wear through the decades with the 1960s. Gone are the full skirted styles and tiny waists of 1955. In 1965, shapes are more relaxed and elaborate fabrics and trimmings abound. Sequins, beads and bangles. Brocades, embroideries, and heavy laces. Asian influences, pants, and the beginnings of op-art all show up. Oh, and don't forget the big, big hair! Enjoy these evening looks from 1965.
Right: Maurice Roger black gown covered in beads from head to toe. Left: Jean Patou black silk chiffon with heavy Venice lace bodice.
Ted Lapidus elaborate brocade evening suit.
Pierre Cardin sequined gown with pop art dots.
Bill Blass for Maurice Rentner brocade backless top over pink evening pants.
Capucci op-art satin dress and jacket trimmed in ostrich feathers.
The holiday party season has begun. Have you been invited to one, two, or more soirees? This week we'll continue our look at evening wear through the decades. I hope you'll be inspired to dress up and make a lasting impression on your fellow party-goers. Let's all end 2010 with some glamour, OK?
The 1950s were epitomized by a celebration of the hourglass figure. Whether it was a fitted sheath, a fancy figure-hugging cocktail dress, a full skirted party dress or a full-blown ballgown, all dresses had tiny waists that emphasized a fuller bust and hips. Lace was very big, along with satins and taffetas. Enjoy these beauties from 1955.
Pierre Balmain sequin covered sheath. Oh la la!
Jacques Heim fitted sheath with a full overskirt.
Jacques Heim strapless lace ballgown.
Christian Dior silk satin ballgown.
Manguin red silk satin dress with fullness to one side.
If you're going to do some holiday shopping today, you might as well go in style. Here, a double-breasted leopard jacket trimmed with red fox fur by Traina-Norell, 1954. Of course, it is no longer legal to buy or sell furs from endangered species whether vintage or not, and we are not advocating such. But, there are wonderful quality faux furs available today and we hope you'll use this photo as inspiration to look your best today and every day.
Ah, the confusion that surrounds the simple act of making introductions! Yes, there are proper etiquette rules when you are introducing one person to another. The primary thing to keep in mind is to always mention the name of the woman or the most important person first. For example: "Jane, may I present Jim Jones?" Then follow with, "Jim, this is Jane Jackson." Or "Senator Davis, may I present Darlene Smith?" Then follow with, "Darlene, this is Senator Davis."
In making social and business introductions, there are three simple rules to keep in mind:
1. A man is always presented to a woman first, as in the example above.
2. A noticeably younger person is always presented to an older person. "Mr. Older, may I present Miss Teenager."
3. A man or woman is always presented to a very distinguished person, clergyman, official, or higher-up in business. "Ms. Boss, may I present our new employee, Bill Roberts."
When introducing yourself, simply say, "Hello, I am Ruth Smith." If an acquaintance seems to have forgotten your name or an earlier introduction, don't cause possible embarrassment by saying, "Remember me?" Instead, give your name and mention the place where you met, such as, "Hello! I'm Ruth Smith. We met at Bob Brown's party a couple of months ago."
Are you throwing a holiday party this year? Why not make it a vintage themed affair? Or, better yet, how about black tie? The world needs some beauty, and we can all pitch in by wearing a glamorous gown for the holidays. Today, looks from 1945.
After years of shortages and austerity, the world emerges from WWII and designers celebrate with the use of yards and yards of fabric. Draping, poufs, and gathers abound. Shoulders are becoming important with dramatic sleeves and thick shoulder pads. We often see long sleeves for evening. Rayon joins silk as an important fabric for both day and evening.
Maggy Rouff printed silk gown with back bustle treatment and train.
Left, Jean Patou velvet and crepe gown with appliques in the opposite fabrics. Right, Worth taffeta gown with huge puffed sleeves.
Another look by Worth. This time the huge sleeves and bodice are covered in tulle ruffles.
Jeanne Lanvin crepe gown with gold embroidery and full sleeves.
Mme. Grès silk chiffon gown with her signature draping.