Showing posts with label Yves Saint Laurent. Show all posts
Showing posts with label Yves Saint Laurent. Show all posts

Diana Vreeland Puts St. Laurent on the Cover of Vogue - 1963

April, 1963.  Diana Vreeland is making her influence known at Vogue magazine, where she was hired the previous year.  Sometime during 1963, Vreeland took over as Editor-in-Chief from Jessica Daves, though her name would not show up on the masthead as such until sometime in the spring of 1964.  Until March or April of 1964, Daves is listed on the masthead as Editorial Advisor and Vreeland's name is not listed at all.  But I digress.

Diana Vreeland was an early champion of the work of Yves St. Laurent, after he opened his own couture house in 1962.  In her efforts to bring a more youthful vibe to the pages of Vogue magazine, she featured St. Laurent's fresh take on fashion frequently.

For the cover of the April 15, 1963 issue of Vogue, Jean Shrimpton wears Yves St. Laurent's polka dotted silk evening gown with separate beaded top.

In the same issue, St. Laurent is given a full page color image of another of his evening looks in the editorial spread, "Paris - When it Shimmers."  Vreeland calls the two piece evening dress "ravishing."  And she features St. Laurent's look one page ahead of Dior's linen daytime dress.  Oh la la!

Both images by William Klein for Vogue, April 1963.

Weekend Eye Candy - Yves St. Laurent, 1962

Another piece from Yves St. Laurent's first couture collection under his own label.  This white silk evening gown has a lace bodice and train.

Yves St. Laurent Suits from his First Collection Spring 1962

In the spring of 1962, Yves St. Laurent showed his first couture collection under his own label.  His designs were an immediate success and one of the most famous couture houses in history was on it's way to influencing fashion the world over for years to come.  Here are some of the lady-like suits St. Laurent showed in that first collection.  Note his use of contrast fabrics for separate little blouses and other details. 

Vibrant red wool suit accented with a navy blue blouse in mohair voile and a double row of gold buttons.

Beige and brown wool tweed suit with a beige wool blouse that buttons asymmetrically and has a big detachable black silk bow.  Wide brimmed hat to match in the same tweed.

The same tweed suit without the jacket, showing the details of the blouse.

A white wool suit accented with a gray and white printed silk fabric 
for the belt, the blouse and the hat band.

Wool houndstooth suit with a collarless jacket.  The bronze silk blouse shows at the collar and at the hip.  Shown with a matching houndstooth "cowboy" hat.


Autumn Inspirations, 1979

Christian Dior Boutique, Fall 1979
 It's 56 degrees this morning, the first time the temperature has dropped below 60 in many weeks.  It's August.  Are you thinking about your fall wardrobe yet?  Are you dreaming of wearing darker colors?  Layers?  Boots?  I've started listing vintage garments for fall at Couture Allure.  Today's autumn inspiration looks are from 1979.  What are you looking for for fall?

Yves St. Laurent, Fall 1979

Nina Ricci, Fall 1979

Yves St. Laurent Evening Gown

Yves St. Laurent designs a gown that could have come straight out of his years at Dior in the 1950s.  What's old is always new again......this gown was part of his Spring/Summer Haute Couture collection in 1987.

Yves St. Laurent Jumpsuit, 1969

Summer, 1969.  Crepe jumpsuit by Yves St. Laurent has bell shaped sleeves with a triple ruffle flaring out below the elbow.  Photo shot at the Ancient Greek Theater of Taormina in Sicily by Roland Bianchini.

Weekend Eye Candy - Yves St. Laurent, 1985

No one does silk taffeta better.  Evening gown with huge train by Yves St. Laurent, 1985.

Inspiration from Christian Dior - 1960

Today's spectacular garment is a strapless ball gown by Christian Dior for Spring, 1960.  This gown was designed by Yves St. Laurent as part of the collection which would ultimately be his last for Dior.  Pink was a hugely popular color in 1960 and this gown is made of a melon pink silk organdy.  The organdy also fashions ruffles that explode at the bodice and hem.

How does this gown inspire you?

Weekend Eye Candy - Yves St. Laurent Wedding Gown, 1983

Our second June bride wears a slim lace sheath overlaid with layers of tiered white tulle.  Pink satin bows adorn the neckline and waist.  Yves St. Laurent, 1983.  The photographer has captured the ethereal nature of the tulle by the use of a back light to great effect.

Photo by Terence Donovan

Mondrian as Inspiration

Dear Readers: Your blog hostess is in need of a break. This week, I will be republishing random posts from the last 5 years. As always, your comments and suggestions are very welcome. Thank you for being here!

Piet Mondrian: "Kompozicija" 1921

Quick, who designed this dress?

You said Yves St. Laurent, didn't you? Sorry, wrong. This is actually a linen top and skirt by Jr. Sophisticates. The ad appeared in Vogue magazine in April of 1961. 1961?????? But St. Laurent didn't debut his own label until January of 1962!

That's right, my friends. Using Mondrian as an inspiration for fashion was not the original idea of Yves St. Laurent. So, who was the designer at Jr. Sophisticates in 1961? Anne Klein, that's who. She designed an entire group of one and two piece dresses based upon the paintings of Mondrian a full 4 years before St. Laurent's versions made such a splash in Paris.

There is a major difference, though. Klein's top above looks rather blocky and square, rather shapeless. Take a look at the two St. Laurent versions below, from his Fall/Winter 1965/66 collection.

See how the dress curves in gently at the sides to define the waist?

See how there is subtle shaping at the bust? There are no darts, but the dress curves gently over this area.

You can see it better in this photo of the first dress from the collection at the Metropolitan Museum of Art's Costume Institute. Instead of piecing flat blocks of fabric and covering the seams with black binding, as it appears was done by Klein, St. Laurent has cut the blocks of color and black strips separately. But the pieces are not squares and rectangles. They actually have odd angles at the edges. The shaping of the garment that would normally be achieved with darts is all cleverly hidden in the seams where one piece joins another. And when those oddly shaped pieces are joined together, they appear as a flat grid as in Mondrian's painting.

That, my friends, is couture.

For more Mondrian inspired fashion, take a look at this site, which was put together several years ago by Snap Dragon. Even Nike has produced Mondrian inspired shoes, shown here.

UPDATE:  Welmoeds posted a comment in which she shared her blog post about designing a copy of the YSL dress for herself.  She drafted the pattern and you can see that on her blog here.  And you can see the fantastic results here.  Fabulous job and thank you for sharing Welmoeds!

Claude Lalanne Jewelry for Yves St. Laurent, 1976

French artists Claude Lalanne and her husband Francois-Xavier Lalanne are best known for their large metal sculptures. He preferred to sculpt animals, while she used botanical references in her work. Yves St. Laurent was a great admirer of their work and had several pieces in his private collection. Claude Lalanne designed jewelry and belts for Yves St. Laurent as early as 1971, but I especially like these pieces that she made in the spring of 1976.

Above, a fantastical copper headpiece consisting of branches and flowers with a large butterfly at the front.

A romantic choker necklace with large butterflies both front and back.

And here, a small image of the gorgeous cuff bracelets, which look like ginko leaves that curve around the arm. Click on the photo for a larger view.

Lalanne also designed furniture. Above, one of the bronze chairs that was commissioned by the Colonial Williamsburg Foundation for the courtyard of the DeWitt Wallace Decorative Arts Museum.


This is a view from above of a 1996 bronze ginko leaf patio table that came with 6 chairs. The set sold at auction in 2008 for $314,500.

If you're lucky enough to be in Florida, you can see many of the outdoor sculptures of the Lalannes at the Fairchild Tropical Botanic Garden this year.